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		<title>Mezzanine - Revision history</title>
		<link>http://massiveattack.com/wiki/index.php?title=Mezzanine&amp;action=history</link>
		<description>Revision history for this page on the wiki</description>
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			<title>Tmothy:&amp;#32;/* 'Inertia Creeps' &amp; Manic Street Preachers */</title>
			<link>http://massiveattack.com/wiki/index.php?title=Mezzanine&amp;diff=1539&amp;oldid=prev</link>
			<description>&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;&amp;#39;Inertia Creeps&amp;#39; &amp;amp; Manic Street Preachers&lt;/span&gt;&lt;/p&gt;

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		&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;← Older revision&lt;/td&gt;
		&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;Revision as of 21:06, 7 December 2009&lt;/td&gt;
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		&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 22:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 22:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Years after the album was released, it was placed on many &amp;quot;Best Of&amp;quot; lists in UK, and even in the United States. In 2000, Q magazine placed '''Mezzanine''' at number 15 in its list of the 100 Greatest British Albums Ever. In 2003, the album was ranked number 412 on Rolling Stone magazine's list of 'The 500 Greatest Albums of All Time'.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Years after the album was released, it was placed on many &amp;quot;Best Of&amp;quot; lists in UK, and even in the United States. In 2000, Q magazine placed '''Mezzanine''' at number 15 in its list of the 100 Greatest British Albums Ever. In 2003, the album was ranked number 412 on Rolling Stone magazine's list of 'The 500 Greatest Albums of All Time'.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;=='Inertia Creeps' &amp;amp; Manic Street Preachers==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;==&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'&lt;/ins&gt;'Inertia Creeps&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'&lt;/ins&gt;' &amp;amp; Manic Street Preachers==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;'''''[[Inertia Creeps]]''''' was originally written by '''Massive Attack''' and given to '''[[Manic Street Preachers]]''' to be sung by rhythm guitarist and lyricist '''Richey Edwards''' in early 1994. Since Edwards had a reputation for being volatile and unpredictable, '''Massive Attack''' were unsure of how receptive Edwards would be to the song. However, to their surprise, Edwards was enamored with '''''[[Inertia Creeps]]''''', and recorded a version with '''Manic Street Preachers'''. This version was shelved until 1998 when it appeared on the single release of '''Massive Attack''''s version.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;'''''[[Inertia Creeps]]''''' was originally written by '''Massive Attack''' and given to '''[[Manic Street Preachers]]''' to be sung by rhythm guitarist and lyricist '''Richey Edwards''' in early 1994. Since Edwards had a reputation for being volatile and unpredictable, '''Massive Attack''' were unsure of how receptive Edwards would be to the song. However, to their surprise, Edwards was enamored with '''''[[Inertia Creeps]]''''', and recorded a version with '''Manic Street Preachers'''. This version was shelved until 1998 when it appeared on the single release of '''Massive Attack''''s version.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;!-- diff generator: internal 2013-05-26 02:07:42 --&gt;
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			<pubDate>Mon, 07 Dec 2009 21:06:12 GMT</pubDate>			<dc:creator>Tmothy</dc:creator>			<comments>http://massiveattack.com/wiki/index.php/Talk:Mezzanine</comments>		</item>
		<item>
			<title>Tmothy:&amp;#32;/* 'Inertia Creeps' &amp; Manic Street Preachers */</title>
			<link>http://massiveattack.com/wiki/index.php?title=Mezzanine&amp;diff=1538&amp;oldid=prev</link>
			<description>&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;&amp;#39;Inertia Creeps&amp;#39; &amp;amp; Manic Street Preachers&lt;/span&gt;&lt;/p&gt;

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		&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;← Older revision&lt;/td&gt;
		&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;Revision as of 21:05, 7 December 2009&lt;/td&gt;
		&lt;/tr&gt;
		&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 24:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 24:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;=='Inertia Creeps' &amp;amp; Manic Street Preachers==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;=='Inertia Creeps' &amp;amp; Manic Street Preachers==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;'''''[[Inertia Creeps]]''''' was originally written by '''Massive Attack''' and given to '''[[Manic Street Preachers]]''' to be sung by rhythm guitarist and lyricist '''Richey Edwards''' in early 1994. Since Edwards had a reputation for being volatile and unpredictable, '''Massive Attack''' were unsure of how receptive Edwards would be to the song. However, to &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;'''Massive Attack''''s &lt;/del&gt;surprise, Edwards was enamored with '''''[[Inertia Creeps]]''''', and recorded a version with '''Manic Street Preachers'''. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;The '''Manic Street Preachers''' &lt;/del&gt;version &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;of '''''[[Inertia Creeps]]''''' &lt;/del&gt;was shelved until 1998 when it appeared on the single release of '''Massive Attack''''s version. &amp;nbsp;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;'''''[[Inertia Creeps]]''''' was originally written by '''Massive Attack''' and given to '''[[Manic Street Preachers]]''' to be sung by rhythm guitarist and lyricist '''Richey Edwards''' in early 1994. Since Edwards had a reputation for being volatile and unpredictable, '''Massive Attack''' were unsure of how receptive Edwards would be to the song. However, to &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;their &lt;/ins&gt;surprise, Edwards was enamored with '''''[[Inertia Creeps]]''''', and recorded a version with '''Manic Street Preachers'''. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;This &lt;/ins&gt;version was shelved until 1998 when it appeared on the single release of '''Massive Attack''''s version.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;==Track listing==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;==Track listing==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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			<pubDate>Mon, 07 Dec 2009 21:05:32 GMT</pubDate>			<dc:creator>Tmothy</dc:creator>			<comments>http://massiveattack.com/wiki/index.php/Talk:Mezzanine</comments>		</item>
		<item>
			<title>Tmothy at 21:03, 7 December 2009</title>
			<link>http://massiveattack.com/wiki/index.php?title=Mezzanine&amp;diff=1536&amp;oldid=prev</link>
			<description>&lt;p&gt;&lt;/p&gt;

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		&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;← Older revision&lt;/td&gt;
		&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;Revision as of 21:03, 7 December 2009&lt;/td&gt;
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		&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File:Mezzanine LP Massive Attack.jpg|400px|thumb|right|Mezzanine]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File:Mezzanine LP Massive Attack.jpg|400px|thumb|right|Mezzanine]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;'''Mezzanine''' is Massive Attack's third studio album, released on April 27, 1998. It was produced by '''[[Neil Davidge]]''' along with the group and released by Virgin Records. Musically, '''Mezzanine''' is a major departure from the jazzy and laidback sound of the first two albums ('''[[Blue Lines]]''' and '''[[Protection]]'''), invoking the dark undercurrents which had always been present in the collective's music.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;'''Mezzanine''' is &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'''[[&lt;/ins&gt;Massive Attack&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]'''&lt;/ins&gt;'s third studio album, released on April 27, 1998. It was produced by '''[[Neil Davidge]]''' along with the group and released by Virgin Records. Musically, '''Mezzanine''' is a major departure from the jazzy and laidback sound of the first two albums ('''[[Blue Lines]]''' and '''[[Protection]]'''), invoking the dark undercurrents which had always been present in the collective's music.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;It was released to near-universal acclaim worldwide, was a huge success in the UK and other parts of Europe, although it failed to share the same success in the United States, peaking at number 60 on the Billboard 200. &amp;nbsp;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;It was released to near-universal acclaim worldwide, was a huge success in the UK and other parts of Europe, although it failed to share the same success in the United States, peaking at number 60 on the Billboard 200. &amp;nbsp;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 18:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 18:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;'''Mezzanine''' was well received by critics, who praised the collective's new sound. Rolling Stone's Barney Hoskyns however, although praising the album, pointed its flaws; &amp;quot;[Sometimes] rhythm and texture are explored at the expense of memorable tunes, and the absence of the bizarre '''[[Tricky]]''' (who appeared on '''Blue Lines''' and '''Protection''') only highlights the flat, monotonous rapping of the group's 3-D.&amp;quot; &amp;nbsp;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;'''Mezzanine''' was well received by critics, who praised the collective's new sound. Rolling Stone's Barney Hoskyns however, although praising the album, pointed its flaws; &amp;quot;[Sometimes] rhythm and texture are explored at the expense of memorable tunes, and the absence of the bizarre '''[[Tricky]]''' (who appeared on '''Blue Lines''' and '''Protection''') only highlights the flat, monotonous rapping of the group's 3-D.&amp;quot; &amp;nbsp;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;John Bush of Allmusic also had positive light for the album's song '''[[Inertia Creeps]]'''; it &amp;quot;could well be the highlight, another feature for just the core threesome. With eerie atmospherics, fuzz-tone guitars, and a wealth of effects, the song could well be the best production from the best team of producers the electronic world had ever seen.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;John Bush of Allmusic also had positive light for the album's song &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;'''[[Inertia Creeps]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;'''; it &amp;quot;could well be the highlight, another feature for just the core threesome. With eerie atmospherics, fuzz-tone guitars, and a wealth of effects, the song could well be the best production from the best team of producers the electronic world had ever seen.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Years after the album was released, it was placed on many &amp;quot;Best Of&amp;quot; lists in UK, and even in the United States. In 2000, Q&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/del&gt;magazine placed '''Mezzanine''' at number 15 in its list of the 100 Greatest British Albums Ever. In 2003, the album was ranked number 412 on Rolling Stone magazine's list of 'The 500 Greatest Albums of All Time'.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Years after the album was released, it was placed on many &amp;quot;Best Of&amp;quot; lists in UK, and even in the United States. In 2000, Q magazine placed '''Mezzanine''' at number 15 in its list of the 100 Greatest British Albums Ever. In 2003, the album was ranked number 412 on Rolling Stone magazine's list of 'The 500 Greatest Albums of All Time'.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;=='Inertia Creeps' &amp;amp; Manic Street Preachers==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;=='Inertia Creeps' &amp;amp; Manic Street Preachers==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;'''[[Inertia Creeps]]''' was originally written by Massive Attack and given to &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;band &lt;/del&gt;Manic Street Preachers to be sung by rhythm guitarist and lyricist Richey Edwards in early 1994. Since Edwards had a reputation for being volatile and unpredictable, Massive Attack were unsure of how receptive Edwards would be to the song. However, to Massive Attack's surprise, Edwards was enamored with 'Inertia Creeps', and recorded a version with Manic Street Preachers. The Manic Street Preachers version of 'Inertia Creeps' was shelved until 1998.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;'''[[Inertia Creeps]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;''' was originally written by &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'''&lt;/ins&gt;Massive Attack&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''' &lt;/ins&gt;and given to &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'''[[&lt;/ins&gt;Manic Street Preachers&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]''' &lt;/ins&gt;to be sung by rhythm guitarist and lyricist &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'''&lt;/ins&gt;Richey Edwards&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''' &lt;/ins&gt;in early 1994. Since Edwards had a reputation for being volatile and unpredictable, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'''&lt;/ins&gt;Massive Attack&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''' &lt;/ins&gt;were unsure of how receptive Edwards would be to the song. However, to &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'''&lt;/ins&gt;Massive Attack&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'''&lt;/ins&gt;'s surprise, Edwards was enamored with '&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''''[[&lt;/ins&gt;Inertia Creeps&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]''''&lt;/ins&gt;', and recorded a version with &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'''&lt;/ins&gt;Manic Street Preachers&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'''&lt;/ins&gt;. The &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'''&lt;/ins&gt;Manic Street Preachers&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''' &lt;/ins&gt;version of '&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''''[[&lt;/ins&gt;Inertia Creeps&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]''''&lt;/ins&gt;' was shelved until 1998 &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;when it appeared on the single release of '''Massive Attack''''s version&lt;/ins&gt;. &amp;nbsp;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;==Track listing==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;==Track listing==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 42:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 42:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;==Personnel==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;==Personnel==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;* Robert Del Naja (3D) – vocals, producer, arrangements, programming, keyboards, samples, art direction, design&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;* &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Robert Del Naja (3D)&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;– vocals, producer, arrangements, programming, keyboards, samples, art direction, design&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;* Grant Marshall (Daddy G) – vocals, producer, arrangements, programming, keyboards, samples&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;* &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[Grant Marshall|&lt;/ins&gt;Grant Marshall (Daddy G)&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;– vocals, producer, arrangements, programming, keyboards, samples&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;* Andrew Vowles (Mushroom) – producer, arrangements, programming, keyboards, samples&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;* &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[Andrew Vowles|&lt;/ins&gt;Andrew Vowles (Mushroom)&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;– producer, arrangements, programming, keyboards, samples&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;* Neil Davidge – producer, arrangements, programming, keyboards, samples&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;* &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Neil Davidge&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;– producer, arrangements, programming, keyboards, samples&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;* [[Horace Andy]], [[Elizabeth Fraser]], Sara Jay – vocals&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;* [[Horace Andy]], [[Elizabeth Fraser]], Sara Jay – vocals&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;* Angelo Bruschini – guitars&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;* &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Angelo Bruschini&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;– guitars&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;* John Harris, Bob Locke, Winston Blisset – bass guitars&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;* John Harris, Bob Locke, Winston Blisset – bass guitars&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;* Andy Gangadeen – drums&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;* Andy Gangadeen – drums&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 57:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 57:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;* Tim Young – cut&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;* Tim Young – cut&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;* Nick Knight – photography&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;* Nick Knight – photography&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;* Tom Hingston – art direction, design&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;* &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Tom Hingston&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;– art direction, design&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File:Mezzanine inner.jpg|center]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File:Mezzanine inner.jpg|center]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;!-- diff generator: internal 2013-05-26 02:07:42 --&gt;
&lt;/table&gt;</description>
			<pubDate>Mon, 07 Dec 2009 21:03:38 GMT</pubDate>			<dc:creator>Tmothy</dc:creator>			<comments>http://massiveattack.com/wiki/index.php/Talk:Mezzanine</comments>		</item>
		<item>
			<title>Tmothy at 20:58, 7 December 2009</title>
			<link>http://massiveattack.com/wiki/index.php?title=Mezzanine&amp;diff=1535&amp;oldid=prev</link>
			<description>&lt;p&gt;&lt;/p&gt;

		&lt;table style=&quot;background-color: white; color:black;&quot;&gt;
		&lt;col class='diff-marker' /&gt;
		&lt;col class='diff-content' /&gt;
		&lt;col class='diff-marker' /&gt;
		&lt;col class='diff-content' /&gt;
		&lt;tr valign='top'&gt;
		&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;← Older revision&lt;/td&gt;
		&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;Revision as of 20:58, 7 December 2009&lt;/td&gt;
		&lt;/tr&gt;
		&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 6:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 6:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;==Album information==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;==Album information==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Critics lauded the album's textured and deep sound, although it was a heavy departure from the sound of their previous releases. The album relies heavily on abstract and ambient sounds, as demonstrated in the song 'Mezzanine' among others. &amp;nbsp;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Critics lauded the album's textured and deep sound, although it was a heavy departure from the sound of their previous releases. The album relies heavily on abstract and ambient sounds, as demonstrated in the song &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''''&lt;/ins&gt;'Mezzanine&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''''&lt;/ins&gt;' among others. &amp;nbsp;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;The entire album was provided on their website for legal download many months before the physical release was announced. It was one of the first major uses of the MP3 format by a commercial organization.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;The entire album was provided on their website for legal download many months before the physical release was announced. It was one of the first major uses of the MP3 format by a commercial organization.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;In 1998 Manfred Mann sued Massive Attack for unauthorized use of a sample of the song &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;quot;&lt;/del&gt;Tribute&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;quot;&lt;/del&gt;, used in &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;quot;&lt;/del&gt;Black Milk&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;quot;&lt;/del&gt;. The song has subsequently appeared as &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;quot;&lt;/del&gt;Black Melt&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;quot; &lt;/del&gt;on later releases and at live performances, with the notable absence of the sample.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;In 1998 &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'''&lt;/ins&gt;Manfred Mann&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''' &lt;/ins&gt;sued &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'''[[&lt;/ins&gt;Massive Attack&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]''' &lt;/ins&gt;for unauthorized use of a sample of the song &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'''''&lt;/ins&gt;Tribute&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'''''&lt;/ins&gt;, used in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'''''&lt;/ins&gt;Black Milk&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'''''&lt;/ins&gt;. The song has subsequently appeared as &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'''''&lt;/ins&gt;Black Melt&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''''' &lt;/ins&gt;on later releases and at live performances, with the notable absence of the sample.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;The track &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;quot;&lt;/del&gt;Man Next Door&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;quot; &lt;/del&gt;also sampled '10.15 Saturday Night', B-Side of British band The Cure's first single release in 1979.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;The track &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'''''&lt;/ins&gt;Man Next Door&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''''' &lt;/ins&gt;also sampled &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''''&lt;/ins&gt;'10.15 Saturday Night&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''''&lt;/ins&gt;', B-Side of British band &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'''&lt;/ins&gt;The Cure&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'''&lt;/ins&gt;'s first single release in 1979.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;==Reception== &amp;nbsp;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;==Reception== &amp;nbsp;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;!-- diff generator: internal 2013-05-26 02:07:42 --&gt;
&lt;/table&gt;</description>
			<pubDate>Mon, 07 Dec 2009 20:58:06 GMT</pubDate>			<dc:creator>Tmothy</dc:creator>			<comments>http://massiveattack.com/wiki/index.php/Talk:Mezzanine</comments>		</item>
		<item>
			<title>Tmothy at 16:01, 13 October 2009</title>
			<link>http://massiveattack.com/wiki/index.php?title=Mezzanine&amp;diff=1039&amp;oldid=prev</link>
			<description>&lt;p&gt;&lt;/p&gt;

		&lt;table style=&quot;background-color: white; color:black;&quot;&gt;
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		&lt;tr valign='top'&gt;
		&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;← Older revision&lt;/td&gt;
		&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;Revision as of 16:01, 13 October 2009&lt;/td&gt;
		&lt;/tr&gt;
		&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File:Mezzanine LP Massive Attack.jpg|400px|thumb|right|Mezzanine]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File:Mezzanine LP Massive Attack.jpg|400px|thumb|right|Mezzanine]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;'''Mezzanine''' is Massive Attack's third studio album, released on April 27, 1998. It was produced by Neil Davidge along with the group and released by Virgin Records. Musically, '''Mezzanine''' is a major departure from the jazzy and laidback sound of the first two albums ('''[[Blue Lines]]''' and '''[[Protection]]'''), invoking the dark undercurrents which had always been present in the collective's music.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;'''Mezzanine''' is Massive Attack's third studio album, released on April 27, 1998. It was produced by &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'''[[&lt;/ins&gt;Neil Davidge&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]''' &lt;/ins&gt;along with the group and released by Virgin Records. Musically, '''Mezzanine''' is a major departure from the jazzy and laidback sound of the first two albums ('''[[Blue Lines]]''' and '''[[Protection]]'''), invoking the dark undercurrents which had always been present in the collective's music.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;It was released to near-universal acclaim worldwide, was a huge success in the UK and other parts of Europe, although it failed to share the same success in the United States, peaking at number 60 on the Billboard 200. &amp;nbsp;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;It was released to near-universal acclaim worldwide, was a huge success in the UK and other parts of Europe, although it failed to share the same success in the United States, peaking at number 60 on the Billboard 200. &amp;nbsp;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;!-- diff generator: internal 2013-05-26 02:07:42 --&gt;
&lt;/table&gt;</description>
			<pubDate>Tue, 13 Oct 2009 16:01:36 GMT</pubDate>			<dc:creator>Tmothy</dc:creator>			<comments>http://massiveattack.com/wiki/index.php/Talk:Mezzanine</comments>		</item>
		<item>
			<title>Tmothy at 16:00, 13 October 2009</title>
			<link>http://massiveattack.com/wiki/index.php?title=Mezzanine&amp;diff=1038&amp;oldid=prev</link>
			<description>&lt;p&gt;&lt;/p&gt;

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		&lt;col class='diff-content' /&gt;
		&lt;tr valign='top'&gt;
		&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;← Older revision&lt;/td&gt;
		&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;Revision as of 16:00, 13 October 2009&lt;/td&gt;
		&lt;/tr&gt;
		&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File:Mezzanine LP Massive Attack.jpg|400px|thumb|right|Mezzanine]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File:Mezzanine LP Massive Attack.jpg|400px|thumb|right|Mezzanine]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;'Mezzanine' is Massive Attack's third studio album, released on April 27, 1998. It was produced by Neil Davidge along with the group and released by Virgin Records. Musically, 'Mezzanine' is a major departure from the jazzy and laidback sound of the first two albums ('[[Blue Lines]]' and '[[Protection]]'), invoking the dark undercurrents which had always been present in the collective's music.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;'Mezzanine&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;' is Massive Attack's third studio album, released on April 27, 1998. It was produced by Neil Davidge along with the group and released by Virgin Records. Musically, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;'Mezzanine&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;' is a major departure from the jazzy and laidback sound of the first two albums (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;'[[Blue Lines]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;' and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;'[[Protection]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;'), invoking the dark undercurrents which had always been present in the collective's music.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;It was released to near-universal acclaim worldwide, was a huge success in the UK and other parts of Europe, although it failed to share the same success in the United States, peaking at number 60 on the Billboard 200. &amp;nbsp;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;It was released to near-universal acclaim worldwide, was a huge success in the UK and other parts of Europe, although it failed to share the same success in the United States, peaking at number 60 on the Billboard 200. &amp;nbsp;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;'Mezzanine' marked the departure of band member [[Andrew Vowles]] (Mushroom), due to creative conflicts. Similar to their previous albums, the majority of the songs consists of one or more samples, ranging from Isaac Hayes to Led Zeppelin. The album has sold over 300,000 copies in the UK alone since its release. &amp;nbsp;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;'Mezzanine&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;' marked the departure of band member &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'''&lt;/ins&gt;[[Andrew Vowles]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''' &lt;/ins&gt;(Mushroom), due to creative conflicts. Similar to their previous albums, the majority of the songs consists of one or more samples, ranging from Isaac Hayes to Led Zeppelin. The album has sold over 300,000 copies in the UK alone since its release. &amp;nbsp;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;==Album information==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;==Album information==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Critics lauded the album's textured and deep sound, although it was a heavy departure from the sound of their previous releases. The album relies heavily on abstract and ambient sounds, as demonstrated in the song 'Mezzanine' among others&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;. [[Horace Andy]], a well-known reggae artist also performed several spots on the album&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Critics lauded the album's textured and deep sound, although it was a heavy departure from the sound of their previous releases. The album relies heavily on abstract and ambient sounds, as demonstrated in the song 'Mezzanine' among others. &amp;nbsp;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;The entire album was provided on their website for legal download many months before the physical release was announced. It was one of the first major uses of the MP3 format by a commercial organization.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;The entire album was provided on their website for legal download many months before the physical release was announced. It was one of the first major uses of the MP3 format by a commercial organization.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 16:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 16:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;==Reception== &amp;nbsp;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;==Reception== &amp;nbsp;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File:D G Mushroom.jpg|200px|left]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File:D G Mushroom.jpg|200px|left]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;'Mezzanine' was well received by critics, who praised the collective's new sound. Rolling Stone's Barney Hoskyns however, although praising the album, pointed its flaws; &amp;quot;[Sometimes] rhythm and texture are explored at the expense of memorable tunes, and the absence of the bizarre [[Tricky]] (who appeared on 'Blue Lines' and 'Protection') only highlights the flat, monotonous rapping of the group's 3-D.&amp;quot; &amp;nbsp;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;'Mezzanine&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;' was well received by critics, who praised the collective's new sound. Rolling Stone's Barney Hoskyns however, although praising the album, pointed its flaws; &amp;quot;[Sometimes] rhythm and texture are explored at the expense of memorable tunes, and the absence of the bizarre &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'''&lt;/ins&gt;[[Tricky]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''' &lt;/ins&gt;(who appeared on &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;'Blue Lines&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;' and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;'Protection&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;') only highlights the flat, monotonous rapping of the group's 3-D.&amp;quot; &amp;nbsp;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;John Bush of Allmusic also had positive light for the album's song 'Inertia Creeps'; it &amp;quot;could well be the highlight, another feature for just the core threesome. With eerie atmospherics, fuzz-tone guitars, and a wealth of effects, the song could well be the best production from the best team of producers the electronic world had ever seen.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;John Bush of Allmusic also had positive light for the album's song '&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Inertia Creeps&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]''&lt;/ins&gt;'; it &amp;quot;could well be the highlight, another feature for just the core threesome. With eerie atmospherics, fuzz-tone guitars, and a wealth of effects, the song could well be the best production from the best team of producers the electronic world had ever seen.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Years after the album was released, it was placed on many &amp;quot;Best Of&amp;quot; lists in UK, and even in the United States. In 2000, Q'' magazine placed 'Mezzanine' at number 15 in its list of the 100 Greatest British Albums Ever. In 2003, the album was ranked number 412 on Rolling Stone magazine's list of 'The 500 Greatest Albums of All Time'.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Years after the album was released, it was placed on many &amp;quot;Best Of&amp;quot; lists in UK, and even in the United States. In 2000, Q'' magazine placed &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;'Mezzanine&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;' at number 15 in its list of the 100 Greatest British Albums Ever. In 2003, the album was ranked number 412 on Rolling Stone magazine's list of 'The 500 Greatest Albums of All Time'.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;=='Inertia Creeps' &amp;amp; Manic Street Preachers==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;=='Inertia Creeps' &amp;amp; Manic Street Preachers==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;'Inertia Creeps' was originally written by Massive Attack and given to band Manic Street Preachers to be sung by rhythm guitarist and lyricist Richey Edwards in early 1994. Since Edwards had a reputation for being volatile and unpredictable, Massive Attack were unsure of how receptive Edwards would be to the song. However, to Massive Attack's surprise, Edwards was enamored with 'Inertia Creeps', and recorded a version with Manic Street Preachers. The Manic Street Preachers version of 'Inertia Creeps' was shelved until 1998.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;'&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Inertia Creeps&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]''&lt;/ins&gt;' was originally written by Massive Attack and given to band Manic Street Preachers to be sung by rhythm guitarist and lyricist Richey Edwards in early 1994. Since Edwards had a reputation for being volatile and unpredictable, Massive Attack were unsure of how receptive Edwards would be to the song. However, to Massive Attack's surprise, Edwards was enamored with 'Inertia Creeps', and recorded a version with Manic Street Preachers. The Manic Street Preachers version of 'Inertia Creeps' was shelved until 1998.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;==Track listing==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;==Track listing==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 42:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 42:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;==Personnel==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;==Personnel==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;* &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Robert Del Naja (3D)&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/del&gt;– vocals, producer, arrangements, programming, keyboards, samples, art direction, design&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;* Robert Del Naja (3D) – vocals, producer, arrangements, programming, keyboards, samples, art direction, design&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;*&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Grant Marshall&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/del&gt;(Daddy G) – vocals, producer, arrangements, programming, keyboards, samples&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;* Grant Marshall (Daddy G) – vocals, producer, arrangements, programming, keyboards, samples&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;* &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Andrew Vowles&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/del&gt;(Mushroom) – producer, arrangements, programming, keyboards, samples&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;* Andrew Vowles (Mushroom) – producer, arrangements, programming, keyboards, samples&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;* &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Neil Davidge&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/del&gt;– producer, arrangements, programming, keyboards, samples&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;* Neil Davidge – producer, arrangements, programming, keyboards, samples&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;* [[Horace Andy]], [[Elizabeth Fraser]], Sara Jay – vocals&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;* [[Horace Andy]], [[Elizabeth Fraser]], Sara Jay – vocals&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;* Angelo Bruschini – guitars&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;* Angelo Bruschini – guitars&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;!-- diff generator: internal 2013-05-26 02:07:42 --&gt;
&lt;/table&gt;</description>
			<pubDate>Tue, 13 Oct 2009 16:00:40 GMT</pubDate>			<dc:creator>Tmothy</dc:creator>			<comments>http://massiveattack.com/wiki/index.php/Talk:Mezzanine</comments>		</item>
		<item>
			<title>Tmothy:&amp;#32;/* Personnel */</title>
			<link>http://massiveattack.com/wiki/index.php?title=Mezzanine&amp;diff=1037&amp;oldid=prev</link>
			<description>&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Personnel&lt;/span&gt;&lt;/p&gt;

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		&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;← Older revision&lt;/td&gt;
		&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;Revision as of 15:55, 13 October 2009&lt;/td&gt;
		&lt;/tr&gt;
		&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 58:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 58:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;* Nick Knight – photography&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;* Nick Knight – photography&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;* Tom Hingston – art direction, design&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;* Tom Hingston – art direction, design&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;[[File:Mezzanine inner.jpg|center]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;!-- diff generator: internal 2013-05-26 02:07:42 --&gt;
&lt;/table&gt;</description>
			<pubDate>Tue, 13 Oct 2009 15:55:49 GMT</pubDate>			<dc:creator>Tmothy</dc:creator>			<comments>http://massiveattack.com/wiki/index.php/Talk:Mezzanine</comments>		</item>
		<item>
			<title>Tmothy:&amp;#32;/* Track listing */</title>
			<link>http://massiveattack.com/wiki/index.php?title=Mezzanine&amp;diff=1036&amp;oldid=prev</link>
			<description>&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Track listing&lt;/span&gt;&lt;/p&gt;

		&lt;table style=&quot;background-color: white; color:black;&quot;&gt;
		&lt;col class='diff-marker' /&gt;
		&lt;col class='diff-content' /&gt;
		&lt;col class='diff-marker' /&gt;
		&lt;col class='diff-content' /&gt;
		&lt;tr valign='top'&gt;
		&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;← Older revision&lt;/td&gt;
		&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;Revision as of 15:47, 13 October 2009&lt;/td&gt;
		&lt;/tr&gt;
		&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 40:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 40:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;# &amp;quot;(Exchange)&amp;quot; 4:08 &amp;lt;small&amp;gt; (Hilliard/Garson) &amp;lt;/small&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;# &amp;quot;(Exchange)&amp;quot; 4:08 &amp;lt;small&amp;gt; (Hilliard/Garson) &amp;lt;/small&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;# &amp;quot;Superpredators&amp;quot; (Japanese bonus track) - 5:16 &amp;lt;small&amp;gt; (Del Naja/Marshall/Vowles) &amp;lt;/small&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;# &amp;quot;Superpredators&amp;quot; (Japanese bonus track) - 5:16 &amp;lt;small&amp;gt; (Del Naja/Marshall/Vowles) &amp;lt;/small&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;[[[[File:Mezzanine inner.jpg|center]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;==Personnel==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;==Personnel==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;!-- diff generator: internal 2013-05-26 02:07:42 --&gt;
&lt;/table&gt;</description>
			<pubDate>Tue, 13 Oct 2009 15:47:05 GMT</pubDate>			<dc:creator>Tmothy</dc:creator>			<comments>http://massiveattack.com/wiki/index.php/Talk:Mezzanine</comments>		</item>
		<item>
			<title>Tmothy:&amp;#32;/* Track listing */</title>
			<link>http://massiveattack.com/wiki/index.php?title=Mezzanine&amp;diff=1035&amp;oldid=prev</link>
			<description>&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Track listing&lt;/span&gt;&lt;/p&gt;

		&lt;table style=&quot;background-color: white; color:black;&quot;&gt;
		&lt;col class='diff-marker' /&gt;
		&lt;col class='diff-content' /&gt;
		&lt;col class='diff-marker' /&gt;
		&lt;col class='diff-content' /&gt;
		&lt;tr valign='top'&gt;
		&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;← Older revision&lt;/td&gt;
		&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;Revision as of 15:46, 13 October 2009&lt;/td&gt;
		&lt;/tr&gt;
		&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 40:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 40:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;# &amp;quot;(Exchange)&amp;quot; 4:08 &amp;lt;small&amp;gt; (Hilliard/Garson) &amp;lt;/small&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;# &amp;quot;(Exchange)&amp;quot; 4:08 &amp;lt;small&amp;gt; (Hilliard/Garson) &amp;lt;/small&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;# &amp;quot;Superpredators&amp;quot; (Japanese bonus track) - 5:16 &amp;lt;small&amp;gt; (Del Naja/Marshall/Vowles) &amp;lt;/small&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;# &amp;quot;Superpredators&amp;quot; (Japanese bonus track) - 5:16 &amp;lt;small&amp;gt; (Del Naja/Marshall/Vowles) &amp;lt;/small&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;[[[[File:Mezzanine inner.jpg|center]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;==Personnel==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;==Personnel==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;!-- diff generator: internal 2013-05-26 02:07:42 --&gt;
&lt;/table&gt;</description>
			<pubDate>Tue, 13 Oct 2009 15:46:36 GMT</pubDate>			<dc:creator>Tmothy</dc:creator>			<comments>http://massiveattack.com/wiki/index.php/Talk:Mezzanine</comments>		</item>
		<item>
			<title>Tmothy:&amp;#32;/* 'Inertia Creeps' &amp; Manic Street Preachers */</title>
			<link>http://massiveattack.com/wiki/index.php?title=Mezzanine&amp;diff=1034&amp;oldid=prev</link>
			<description>&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;&amp;#39;Inertia Creeps&amp;#39; &amp;amp; Manic Street Preachers&lt;/span&gt;&lt;/p&gt;

		&lt;table style=&quot;background-color: white; color:black;&quot;&gt;
		&lt;col class='diff-marker' /&gt;
		&lt;col class='diff-content' /&gt;
		&lt;col class='diff-marker' /&gt;
		&lt;col class='diff-content' /&gt;
		&lt;tr valign='top'&gt;
		&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;← Older revision&lt;/td&gt;
		&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;Revision as of 15:45, 13 October 2009&lt;/td&gt;
		&lt;/tr&gt;
		&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 23:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 23:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;=='Inertia Creeps' &amp;amp; Manic Street Preachers==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;=='Inertia Creeps' &amp;amp; Manic Street Preachers==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[File:Mezzanine sleeve.jpg|350px|left]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;'Inertia Creeps' was originally written by Massive Attack and given to band Manic Street Preachers to be sung by rhythm guitarist and lyricist Richey Edwards in early 1994. Since Edwards had a reputation for being volatile and unpredictable, Massive Attack were unsure of how receptive Edwards would be to the song. However, to Massive Attack's surprise, Edwards was enamored with 'Inertia Creeps', and recorded a version with Manic Street Preachers. The Manic Street Preachers version of 'Inertia Creeps' was shelved until 1998. &amp;nbsp;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;'Inertia Creeps' was originally written by Massive Attack and given to band Manic Street Preachers to be sung by rhythm guitarist and lyricist Richey Edwards in early 1994. Since Edwards had a reputation for being volatile and unpredictable, Massive Attack were unsure of how receptive Edwards would be to the song. However, to Massive Attack's surprise, Edwards was enamored with 'Inertia Creeps', and recorded a version with Manic Street Preachers. The Manic Street Preachers version of 'Inertia Creeps' was shelved until 1998.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;==Track listing==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;==Track listing==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;!-- diff generator: internal 2013-05-26 02:07:42 --&gt;
&lt;/table&gt;</description>
			<pubDate>Tue, 13 Oct 2009 15:45:58 GMT</pubDate>			<dc:creator>Tmothy</dc:creator>			<comments>http://massiveattack.com/wiki/index.php/Talk:Mezzanine</comments>		</item>
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